Before we get back to biblical criticism (and I hope we’ll have some more guest posts before I get to Rabbi Umberto Cassuto and some others), I want to talk about non-Jewish music for a moment. Why? Because Queens of the Stone Age are back, and I love their music. In my excitement, I’d like to point out a few theological issues with non-Jewish music. As I listen to non-Jewish music almost daily, you may conclude that I am either hypocritical on this matter, or that I think there is no problem. You’ll decide for yourself. As to the bottom line halakha le’ma’aseh (practical Jewish legal) aspect, I suggest you ask someone qualified to answer.
1) Avoiding Non-Jewish Music (A Mystical Perspective):
I’ll first outline why some mystical thinking would lead to the rejection of non-Jewish music. I won’t quote sources here, so please feel free to take me to task for this. Ask someone who is well versed in Kuzari, Tanya, Zohar, etc., regarding the points I’ll make here, and feel free to check out Maimonides’ Confrontation With Mysticism as well as Maimonides on Judaism and the Jewish People, both by Menachem Kellner, regarding Rambam and these views.
If one assumes that the Jewish soul is inherently superior to the non-Jewish soul, and also that the soul’s positive or negative qualities become a part of anything created by a person, then we have reason to reject non-Jewish music. This is because of the assumption that a non-Jewish soul is impure (if only because non-Jews eat non-Kosher food), and that it can only create something similarly impure. Non-Jewish music being impure, it will affect our souls negatively if we listen to it. In this view, spiritual forces, good and bad, work in a way which we might consider analogous to physical cause and affect. A good spiritual thing causes purity, while a bad thing (such as evil speech) causes spiritual impurity1.
So, if you believe these things, I suggest you try and phase out non-Jewish music, as well as the traditional Hasidic songs which really come from non-Jewish authors. This is by far more common than we think. It happens to be that my favorite tune for a Shabbat Song is Dror Yikra when sung according to the tune of “Sloop John B.”, the song most famously sung by the Beach Boys. My second favorite happens to be Dror Yikra according to the tune of “When the Saints Go Marching In”. That’s a really fun one, so I suggest you try it this week.
A rationalist may reject all of the points we have made here, however. Such a person will not assume that one’s soul is inherently good or bad, or that a person’s soul automatically affects their creation.Generally speaking, rationalists do not think that there are spiritual forces akin to physical cause and affect in play when we eat Kosher food, thus improving our souls, or harming them when we eat non-Kosher (the same goes for other mitzvot, such as the performance of sending away the mother bird, say). Rather, as we have explained elsewhere, keeping the mitzvot improves our souls in an entirely different way, which we will not get into here. In sum, keeping the mitzvot leads to the betterment of society and the soul, in Rambam’s opinion, and this is a natural process. . Now then, other points must be dealt with.
2) The lyrics:
I do not listen to lyrics, but I am weird in this regard. Most people do, and this being the case, it is harmful to listen to music which praises bad qualities such as excessive partying, materialism, etc., or even worse. Some songs praise rape or other unspeakable things, and even if you don’t listen to lyrics, we shouldn’t support people who praise these crimes.
So classical music is obviously on the table. There’s nothing wrong with it, and we’ll talk about the positive qualities good music has later on. It should be noted that there are certain artists whose lyrics can’t be ignored. Bob Dylan is the best example, but check out the “Reload” album by Metallica for some really impressive writing (or so I thought when I was 14). However, when it comes to artistic poetry, most of us will recognize the immediate value in this, so we won’t get into that here. Rav Aharon Lichtenstein fans will tout this, I imagine, though I find it hard to picture R. Lichtenstein listening to contemporary music.
3) The Danger of Having the Wrong Role Models:
Even worse is the danger that we’ll look up to artists as role models. Even when they are fine, normal people, it’s not like they’re moral philosophers or anything. They’re just guys who are good at one amazing thing. So no one should confuse a good musician for a role model. And of course, this is in regards to the good ones.I love Led Zeppelin and the Rolling Stones, but they are not role models for Halakhic Jews by any stretch of the imagination.
4) The Positive Aspects of Non-Jewish Music:
I’ll risk stating the obvious here: Music can be an amazing and positive thing. It can be expressive, therapeutic, inspiring, and all of these things mean that we’ll be able to serve God better. We should be emotionally healthy (v’chai bahem), use the world to praise God (like King David did with his harp), and appreciate the marvelous wisdom in the world (ma rabu ma’asekha HaShem). When we hear great music from Josh Homme, about whom I know next to nothing, we should appreciate the wisdom God has given to man. Now that we have seen that non-Jewish music can be a good thing, we should ask if there is a Halakhic reason to avoid it. I’m not qualified, so I won’t get involved, but everyone should be aware of the possibility that going to concerts and non-mitzva related parties with live music is forbidden. I’ll get back to this at the end. Obviously, in weddings and other religious celebrations we should have music, and we enhance our celebrations with it. But what about Jewish Music?
5) Jewish Music:
“There are two types of Jewish music: The kind that is mekarev (brings one closer) to God, and the kind that is merachek (brings one away from) God.”- Rabbi Shlomo Riskin
Sadly, most modern Jewish music is terrible. Listeners might get the feeling that writers aren’t even trying. Besides for the overwhelmingly simplistic nature of most modern Jewish music, the style of music and melodies are almost always taken from a non-Jewish source. I’m really not sure what completely original Jewish music would sound like anyway. Klezmer, Carlbach, Miami Boys Chior, etc., all belong to non-Jewish musical cultures. Perhaps that should be considered an issue for some. This being the case, Jewish music should really be judged by the same criteria as non-Jewish music, though of course when it comes to lyrics, people taking from Tehilim, etc., are obviously giving us music with lyrics that can help us along spiritually. So then, I think we’ve touched on most of the major issues. For a superb summary of Halakhic and Jewish theological perspectives on music, check out what Rabbi Howard (Chaim) Jachter wrote here. If you want to know about the prohibitions involved with listening to music today, and especially with going to concerts or a bar with live music, then I suggest you read his post before discussing the problem with someone who is qualified2. I’ll finish off my own post with the last lines of Rabbi Jachter’s article.
“What should emerge from this review of Jewish perspectives on music is that we must take care that the music we listen to is in harmony with our Torah lifestyle and goals. Music with lyrics such as “she don’t lie, she don’t lie, cocaine” is very obviously incompatible with a Torah Hashkafa and lifestyle. The same can be said regarding all leisure activities. Care must be taken to ensure that one’s leisure activities enhance one’s relationship with God and Torah and do not, God forbid, detract from it.”
Before we actually get back to biblical criticism, I hope we can aslo discuss what the sin of Korach is. I have an idea, and I’d love some feedback.
1-Are you thinking of Plato’s ideals here? Me too. Check out 9 and 1/2 Mystics by Herbert Weiner for some interesting points about this. I’m in the middle of it now. Also, Gerschom Scholem’s Major Trends In Jewish Mysticism is a must for interested laymen.
2- Also, don’t forget to read Rambam in the 5th chapter of his “Shmoneh Perakim” as well as his commentary on Avot, 1:16. Further recommended reading is Siach Nachum R. Nachum E. Rabinovitch, OH (alt. OC) 35. He says there that 1) Even before the Temple was destroyed, music which was lustful, led to inappropriate desires, or had inappropriate language was forbidden, and 2) After the Temple was destroyed, celebration with live music or purely vocal music sung over wine was forbidden as well. Number one likely covers a lot of music today. A much more limited point is made by R. Kagan in his MB on a note Rama makes. In OC 53:25, Rama writes that a Shaliach Zibbur who enjoys non-Jewish music should be removed if, after protest, he does not stop listening to it. MB says this is in regards to music used for Avoda Zara, and not just any music. He quotes Bach as saying it must be music which is designated for the purpose of AZ.